Terri St.Arnauld - Fine Art Photography: Recently Added Galleries and Collections

Frank's Remembrance 30-Oct-22

(Terri St.Arnauld - Fine Art Photography) — Sun, 21 Jan 2024 20:48:31 GMT

]]>I think he approved and was glad to see everyone.

Miniature Works

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 20:23:51 GMT

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Polaroid Emulsion Transfers

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 20:22:19 GMT

]]>This process is no longer possible because the film is no longer being made. There are other instant films, but they do not provide the saturation and contrast of the Polaroid film.

These began as color slides/transparencies. A copy was made onto Polaroid film, then the emulsion was released from the backing (substrate) and transferred to cotton rag paper that was used for these prints.

Canal Grande, Gondola and Fixer Upper are on exhibit at Round Rock Arts Downtowner Gallery through Jan 17, 2021. Works are available for sale.

Rome 2014 - Version 2

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 20:19:52 GMT

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Southeast Asia 2016 Highlights

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 20:01:02 GMT

]]>We were so lucky to have the opportunity to visit Vietnam and Cambodia. These are some of our favorite photos from the trip. If you'd like to see a few more for context, email us through the site and we will arrange that for you.

T-Shirts

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 19:57:22 GMT

]]>These shirts are printed with our Equus image - an abstract horse we encountered in west Texas late one afternoon. The original print is made in platinum, which is the color shown on the shirts.

These cotton shirts can be ordered by contacting the artists through the website. ($15, plus shipping & tax)

Portraits

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 19:53:10 GMT

]]>Abigail - 2 1/2 months

Fine Art Prints

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 19:51:47 GMT

]]>All gelatin silver (black & white) work is shot on film, processed and printed by us, usually on fiber-based paper. The negatives, if large enough, can also be used to make platinum prints.

Portfolio: "Trees" - Brass Lens Project

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 19:49:03 GMT

]]>This portfolio was made using a 4x5 camera and film with a brass lens c1850. The result is a round image (cut by the film edges) of an elegant arbor spied by a telescope.
The originals are printed in gelatin silver; digital prints are available. Order any by emailing the artists through the website.

Portfolio: "Implications I" - Woven Still Lifes

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 19:45:00 GMT

]]>Artists’s Statement

We have both always loved light – soft, bright, colored, moving, dappled (especially dappled), iridescent, artificial, but mostly natural light. It can give importance to something by putting it in the spotlight or by mysteriously or secretively making it all but disappear. It all starts with large-format film – the camera with the cloth over your head. Many of the still life items used are personal items; some are mementos from friends and family members or reminders of them. Portraits can include items belonging to or about the subject; some portraits are more personal and others are quite impersonal. These vintage-style prints become more cubist and modern with the incorporation of weaving which adds distortion, and juxtapositions of subjects, introducing a subject matter mash-up.
All prints are hand-coated platinum on 100% cotton rag paper. Woven pieces require two prints. Contact us for details.
terrifrank95@sbcglobal.net

Portfolio: "Implications II" - Woven Portraits

(Terri St.Arnauld - Fine Art Photography) — Thu, 03 Aug 2023 16:55:58 GMT

]]>Artists’s Statement

We have both always loved light – soft, bright, colored, moving, dappled, iridescent, artificial, but mostly natural light. It can give importance to something by putting it in the spotlight or by mysteriously or secretively making it all but disappear. It starts with large-format film – the camera with the cloth over your head. Portraits can include items belonging to or about the subject; some portraits are more personal and others are quite impersonal. These vintage-style prints become more cubist and modern with the incorporation of weaving which adds distortion, and juxtapositions of subjects, introducing a subject matter mash-up.

All prints are hand-coated platinum on 100% cotton rag paper. Woven pieces require two prints. Contact us for details. Terri St.Arnauld & Frank Yezer, Photographic Artists
512-658-5153 or 512-940-6033

TELEPHONE Project - Satellite Collective of NYC

(Terri St.Arnauld - Fine Art Photography) — Thu, 01 Apr 2021 19:12:08 GMT

]]>Included in this gallery is our piece and the press release for this unique exhibition. It is multimedia and akin to a game of telephone. Participants were sent a copy of an artist’s work, in this case a song, and asked to provide our interpretation of it in our medium, photography. Our work was then sent to another artist, of which we knew nothing. All was revealed to the public on Monday, April 20, 2015; 315 artists from around the world participated.

We have been interviewed about our piece and participation in the project by Melena Ryzik, a staff reporter for the NY Times, for a story she wrote about the Telephone project. Her article, titled "Psst, Look at This. Now, Pass It On," published Sunday April 19 and "Telephone: An International Arts Experiment by Nathan Langston" published online Thursday, April 16. [http://www.nytimes.com/2015/04/19/arts/design/telephone-an-international-arts-experiment-by-nathan-langston.html]

Our image is a pinhole photograph on film, scanned. It is titled Ashes. This work was inspired by a musical piece that gave us a sense of memory and dreams – what was lost and what might be. That led us to work with a pinhole camera for its depth of field in the center and softer focus toward the edges, to create a dream-like image shot in a fire-damaged area near Bastrop, Texas in the winter of 2014.

The Telephone project was an enjoyable challenge that was neither difficult nor easy. We spent many days listening to the piece we were sent, trying to understand what the artist was conveying. We found ourselves very involved with the musical artist’s interpretation. (Were we getting it right?) Then we realized that we never look at any art that way. We either like it or we don’t. Sometimes we don’t even agree on that but, in this case, agreed that we both liked the piece. We began to talk about how it made us feel, what we liked and what were some of the elements that tied those things together. That is what we tried to put into our work.